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1-50 of 1,464
- Actress
- Producer
- Director
Joanna Lumley was born on 1 May, 1946 in Kashmir, India, to British parents, Thya Beatrice Rose (Weir) and James Rutherford Lumley. Her father was a major in the Gurkha Rifles, and she spent most of her early childhood in the Far East where her father was posted.
An aspiring actress, she first came to fame as a model in London's swinging 1960s, where she was photographed by the greats, including her friend, the late Patrick Lichfield. She was designer Jean Muir's muse and house model for several years before carving a career as a freelance model where she became one of the top ten most-booked models of the 1960s.
Lumley's breakthrough role was as Purdey in The New Avengers (1976), a role for which over 800 girls auditioned. Purdey propelled Lumley to instant fame and created one of the "must-have" hairstyles of the 1970s -- the Purdey bob. Lumley became a pin-up figure for a generation of British males who grew up watching her as the high-kicking action girl.
Other roles followed, most notably as Sapphire in Sapphire & Steel (1979) opposite David McCallum -- a sci-fi precursor to The X-Files (1993) and an under-rated gem of a series which has gained a cult following in recent years, despite the fact it has only ever been shown ONCE on terrestrial TV. During the 1980s, Lumley returned to the theater, making notable appearances as "Hedda Gabler" and as "Elvira" in "Blithe Spirit" -- a role that seems tailor-made for her. Lumley also made appearances in several films, including Trail of the Pink Panther (1982), Curse of the Pink Panther (1983), and a screen-stealing role in Shirley Valentine (1989).
It was her reinvention as a comic actress in Absolutely Fabulous (1992) that shot Lumley to wider international acclaim. Her role as Patsy in Absolutely Fabulous (1992) is regarded as one of the greatest female comic performances ever, earning Lumley a stream of awards, including several BAFTAs. Since Absolutely Fabulous (1992), Lumley has cemented her role as one of the UK's most-loved & respected actresses. She is rarely off UK TV screens and has also built a successful film career as a character/voice-over actress.
She recently teamed up with the writer/director Hugo Blick for the series of acclaimed monologues Up in Town (2002) which were critically regarded as the performance of a lifetime, and the recent Sensitive Skin (2005).
In 2007, she returned to the stage for the first time in over a decade in a production of Anton Chekhov's "The Cherry Orchard", directed by Sir Jonathan Miller.- Actor
- Director
- Additional Crew
Hugh Keays-Byrne was born in 1947 in Kashmir, India. In 1973, he moved to Australia, where he began an acting career. He is a well respected theater, film and TV actor in Australia. Hugh became noticed after roles in Stone (1974), Mad Dog Morgan (1976) and The Trespassers (1976). He landed his first leading role in TV film The Death Train (1978), and year later he became internationally well-known for his role of Toecutter in highly praised apocalyptic SF film Mad Max (1979).
Hugh has continued to work on TV, usually in smaller parts, and he is known for his performance as Mr. Stubb in the mini-TV series Moby Dick (1998) and TV series "Farscape".- Actress
- Additional Crew
- Soundtrack
Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.- Actress
- Writer
- Soundtrack
If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).- Actor
- Producer
- Writer
Amitabh Bachchan was born on October 11, 1942 in Allahabad, British India (present-day Prayagraj, Uttar Pradesh, India) to legendary poet Harivansh Rai Bachchan & Teji Bachchan. He also has a brother named Ajitabh. He completed his education from Uttar Pradesh and moved to Bombay to find work as a film star, in vain though, as film-makers preferred someone with a fairer skin, and he was not quite fair enough. But they did use one of his other assets, his deep baritone voice, which was used for narration and background commentary. He was successful in being cast in Saat Hindustani. He got his break in Bollywood after a letter of introduction from the then Prime Minister Mrs. Indira Gandhi, as he was a friend of her son, Rajiv Gandhi. This is how Bachchan made an entry in Bollywood, starting with Zanjeer, co-starred with his future wife Jaya Bhaduri, and since then there has been no looking back.
He married Jaya Bhaduri, an accomplished actress in her own right, and they had two children, Shweta and Abhishek. Shweta is married, lives a non-filmy life and has two children.
Being friends with Rajiv Gandhi, got him to decide to run for seat in the Indian National Congress (political party) from his home town but had to leave mid-term because of controversies, particularly after Rajiv and he were implicated in the now infamous "Bofors" case along with the U. K. based Hinduja Brothers.
After a four year break, he was back in the unsuccessful Mrityudaata (1997), a comeback which the actor wanted to forget. Critics written him off but his career was saved with Bade Miyan Chote Miyan (1998). But four flops in 1999 and incurring debt of over 90 crore rupees of his sinking company ABCL saw him at an all-time low. To make matters worse, after the defeat of the Congress party, Bachchan lost considerable political support, the opposition made him a target, and his credit rating deteriorated to such an extent that a leading nationalized bank, Canara Bank, sued him for outstanding loans. He did bounce back, presenting the Indian version of Who Wants To Be A Millionaire called Kaun Banega Crorepati? (2000). After a series of hits with Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001) and Baghban (2003) and Khakee (2004), Bachchan is showing no signs of slowing down and proving the critics wrong once again.
Amitabh and Jaya were interested in getting their son Abhishek married to Karisma Kapoor, the daughter of Babita and Randhir Kapoor, they went through a formal engagement, but later broke it off.
The former Miss World and Bollywood actress, Aishwarya Rai and Abhishek, were formally engaged on Sunday January 14, 2007, at the Bachchan residence in Juhu, Bombay, with the marriage taking place at the Bachchan residence on April 20, 2007.
On November 16, 2011, he became a Dada (paternal grandfather) when Aishwarya gave birth to a daughter in a Mumbai Hospital. He is already a Nana (maternal grandfather) to Navya and Agastye - Shweta's children.
He continues to be one of the busiest actors and singers in Bollywood as well as on TV, as can be seen from the commercials that he appears on, especially on Sahara One. Looks like there are no limits for this super-star and once the "Angry Young Man" of Bollywood.- Writer
- Composer
- Director
Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Actress
- Soundtrack
Born in India to South African parents, Juliet studied to be a dancer from the age of 4. Attending the Royal Academy of Dance, by the time Juliet was 14, she was deemed too tall to enter the world of ballet. She signed as a chorus dancer with the London Palladium and then pursued a career as a dancer in European nightclubs. While dancing in Paris, she was spotted by Hollywood choreographer Hermes Pan and signed to a role in the movie Can-Can (1960). While rehearsing for the movie, Soviet Premier Khrushchev was invited to watch the then-unknown Prowse and others rehearsing their steps. The next day, he denounced the dance as immoral and it was Prowse's photo that accompanied the news across newspapers worldwide. An instant celebrity, Juliet shot to stardom with her acting and dancing and the tabloids filled with her romance with star Frank Sinatra. That same year, she also appeared with Elvis Presley in G.I. Blues (1960) and again the tabloids followed her.
She appeared in more films the next year but, as her celebrity status waned, so did her movie career. Her engagement to Sinatra in 1962 fueled her nightclub act, but did nothing for her movie career. In 1965, she moved to television with the series Mona McCluskey (1965), playing a nutty Hollywood starlet, but the show soon ended. Her big-screen career ended with Run for Your Wife (1965) and she, thereafter, appeared on the stage and on the nightclub circuit. Some of her stage shows included "Sweet Charity", "Kismet", "Irma La Douce", "Mame" and "The Pajama Game". She also appeared as a guest on Television but, most of the time, she worked in her nightclub act. In 1994, she was diagnosed with pancreatic cancer.- Actress
- Writer
- Producer
Estelle Merle Thompson was born in India on February 19, 1911 of Welsh and Ceylonese (now Sri Lankan) descent. She was educated in that country until the age of 17, when she left for London. She began her career in British films with mostly forgettable roles or bit parts. She appeared in an uncredited role in Alf's Button (1930), a pattern that would unfortunately repeat itself regularly over the next three years.
However, movie moguls eventually saw an untapped talent in their midst and began grooming Oberon for something bigger. Finally she landed a part with substance: the role of Ysobel d'Aunay in Men of Tomorrow (1932). That was quickly followed by The Private Life of Henry VIII (1933). After her portrayal of Lady Marguerite Blakeney in The Scarlet Pimpernel (1934), Hollywood beckoned and she left to try her hand in US films. American movie executives already had some idea of her talent due to her role in Vagabond Violinist (1934) (US title: Vagabond Violinist) was a success in that country. With her nomination for an Academy Award for Best Actress as Kitty Vane in The Dark Angel (1935), Oberon became a star in both the UK and the USA.
Her work in that film resulted in offers for more quality pictures, and she appeared in several well received films, such as These Three (1936), Over the Moon (1939) and The Divorce of Lady X (1938). Her most critically acclaimed performance--hailed by some critics as "masterful" -- was as Cathy Linton in Wuthering Heights (1939). The 1940s proved to be a very busy decade for her, as she appeared in no less than 15 films. After her role in Berlin Express (1948) she would not be seen on the screen again until four years later, as Elizabeth Rockwell in Pardon My French (1951). She was off the screen again for more than a year, returning in Désirée (1954).
Unfortunately, Oberon began appearing in fewer and fewer films over the ensuing years. There were no films for her in 1955, only one in 1956 and then none until Of Love and Desire (1963). In between she did appear on television to host Assignment Foreign Legion (1956). Her final film was Interval (1973). After her career finally ended she lived in quiet retirement until her death of a massive stroke on November 23, 1979, in Malibu, California. Oberon was 68 and had kept her beauty to the end.- Gabrielle Drake was born March 30, 1944 in Lahore, Pakistan. Her father worked in an import/export company or as an engineer and she spent her first 8 years travelling around Burma, India, and the Orient. The family returned to England when Gabrielle was eight years old, after which they moved back near Stratford-upon-Avon. She was educated at Wycombe Abbey School for Girls in High Wycombe. After leaving school, she spent some time in Paris as an au pair girl looking after a family with four children. She then trained for several years at the Royal Academy for Dramatic Arts, then she joined a group of other recently graduated students to form the Everyman Theatre in Liverpool.
Gabrielle stayed at the Everyman for three years and then became the youngest acting member during the reopening season of the famed Malvern Theatre Company. Afterwards she joined the Birmingham Repertory Company and perfected her craft at Manchester's Royal Exchange, the Bristol Old Vic, the New Shakespeare Company and The Young Vic in productions as diverse as "The Cherry Orchard", "Titus Andronicus", "A Phoenix Too Frequent" and "Comedy of Errors".
Gabrielle made her television debut in Intrigue (1966) and then guested in "The Hidden Tiger", an episode of The Avengers (1961). She went on to appear in guest roles on Coronation Street (1960), The Saint (1962), The Champions (1968), Journey to the Unknown (1968), and Virgin of the Secret Service (1968) before landing the role of Lt. Gay Ellis in Gerry Anderson's UFO (1970). Then she made her feature film debut co-starring in Crossplot (1969), and also appeared in Connecting Rooms (1970).
After completing work on UFO, she appeared in a series of sex comedy films such as There's a Girl in My Soup (1970), Suburban Wives (1972), Au Pair Girls (1972) and Commuter Husbands (1972), but was also much seen on television, in particular as Jill Hammond in The Brothers (1972) which made her a household name. - Actor
- Music Department
- Soundtrack
For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Actor
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Kabir Bedi is one of India's most famous international actors, with a career that spans from Bollywood to Hollywood and Europe, in films, television, theatre, and radio.
Kabir's Italian series "SANDOKAN" made him a major star across all of Europe.
He starred in one of the world's most-watched TV series, "THE BOLD AND THE BEAUTIFUL"
He acted in the James Bond "OCTOPUSSY".
He has been a voting member of the "Oscars Academy" (Academy of Motion Picture Arts & Sciences) since 1982.
In recent years, he has acted in 5 films in 5 languages: English, Italian, Hindi, Malayalam, and Telegu.
He is the Honorary Brand Ambassador for Sight Savers India, which performed over 5 million free eye operations across India.
He is the Honorary Brand Ambassador of Care & Share Italia, which educates children from kindergarten to university in the homes and centers in Andhra Pradesh and Telangana in India.
To top it all, he has been Knighted by the Italian Republic with its highest civilian honour, "Cavaliere".- Actress
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Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.
Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). However, her best-remembered performances came in two classic Gainsborough period dramas. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing décolletages. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).
As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974.- Actor
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A native of New Delhi, India, British character actor of theater and film Roshan Seth honed the skills he learned at London's Academy of Music and Dramatic Arts in British repertory theater. His first break came in Peter Brook's production of A Midsummer Night's Dream, which toured in 1972. Seth entered feature films in Richard Lester's Juggernaut (1974), but because subsequent filmmakers only wanted Seth for ethnic roles, his career abruptly stalled. Discouraged, he abandoned acting and returned to India, where he worked as an editor and journalist until the early '80s, when Richard Attenborough asked Seth to play Pandit Nehru in Gandhi (1982). Shortly thereafter, Seth essayed Indian author Victor Mehta and toured the globe in playwright David Hare's biography A Map of the World. After the play's Broadway run, Seth's movie career took off, with roles in Steven Spielberg's Indiana Jones and the Temple of Doom (1984) and David Lean's A Passage to India (1984). Seth's subsequent film credits include Mississippi Masala (1992), Street Fighter (1994), The Journey (1997) and Such A Long Journey (1998).- Googie Withers began her acting career at the age of 12. She was dancing in the chorus in a West End revue when she was spotted by a Warner Brothers casting director. She went to do a screen test for them at the Riverside Studios and was invited to become an extra. On her first day at the filming of The Girl in the Crowd (1934) she arrived on the set just after Michael Powell had just sacked the second lead, and she was enlisted to play one of the lead roles.
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On Stats Alone, The Most Popular Actor In The History Of Cinema!
The only actor to enjoy near God-like status across the length and breadth of India for a quarter century!
Elected in several expert online polls, as The Greatest Actor In The History Of World Cinema !
With 100+ All-Time Blockbusters- 48 Platinum Jubilee hits + 27 Golden Jubilee hits + 26 Silver Jubilee Hits, & 17 average hits, over 25 yrs.
So these quite wonderful film business websites have come up with a inflation adjusted analysis of few of his random films, which I shall present about now, just to open the eyes of today's audiences, to just the massive quantum of collections, achieved by this one actor alone. They've done this chronologically for just few of his mildly to very successful (~42/125 ie 1/3rd) lead/parallel lead films leaving out vast sums of his other massively successful films , from late 60s to late 90s, & only inflation-adjusted worldwide collection numbers, so audiences of today can get a decent idea.
1. Raaz - 284 Crores 2. Bandhan - 437 Crores 3. Aradhana - 1092 Crores 4. Ittefaq - 266 Crores 5. Doli - 344 Crores 6. Do Raaste - 1014 Crores 7. Kati Patang - 540 Crores 8. Safar - 426 Crores 9. The Train - 284 Crores 10. Sachcha Jhutha - 781 Crores 11. Aan Milo Sajna - 710 Crores 12. Amar Prem - 387 Crores 13. Mehboob Ki Mehndi - 233 Crores 14. Anand - 220 Crores 15. Haathi Mere Saathi - 903 Crores 16. Andaz - 516 Crores 17. Maryada - 581 Crores 18. Dushman - 644 Crores 19. Apna Desh - 492 Crores 20. Shehzada - 223 Crores 21. Daag - 689 Crores 22. Namak Haraam - 212 Crores 23. Aap Ki Kasam - 311 Crores 24. Prem Nagar - 440 Crores 25. Ajnabee - 243 Crores 26. Roti - 388 Crores 27. Prem Kahani - 168 Crores 28. Maha Chor - 143 Crores 29. Mehbooba - 177 Crores 30. Chhaila Babu - 197 Crores 31. Aashiq Hoon Baharon Ka - 146 Crores 32. Muqabla - 175 Crores 33. Amar Deep - 139 Crores 34. Thodisi Bewafai - 143 Crores 35. Kudrat - 174 Crores 36. Fiffty Fiffty - 179 Crores 37. Rajput - 339 Crores 38. Ashanti - 217 Crores 39. Dharam Kanta - 272 Crores 40. Maqsad - 318 Crores 41. Swarg - 85 Crores 42. Aa Ab Laut Chalen - 153 Crores
Have a look at that. And we've just begun checking (a random 1/3rd of his films) !
He was born on 29 December 1942 in Amritsar, Punjab, India, and entered Hindi films in the year 1965 when began shooting for Raaz and did 180 films - 163 feature films and 17 short films. By 2011, he held the record for maximum number of films as solo lead hero and least number of multi star cast films in Hindi Cinema. Of the 163 films - 106 were solo hero films and 22 were multi star films and 29 films had him in special effective guest appearances(though only 97 solo and 20 two hero films only released and 11 unreleased from 1966 till 2013).He ranked first and won the United Producers All India Contest held in 1965 by beating 10000 candidates and the prize of it was acting in films Akhri Khat and Raaz. He first tasted success as an actor with 3 consecutive hit films like Aakhri Khat,Raaz and Aurat.His first brush with super-stardom was when outburst from his fans forced the director to change the story of Baharaon Ke Sapne's ending from a tragic one to a happy one after 1 week of its release. Though Baharon Ke Sapne was average in some centers it was declared flop in most places. In 1969 Rajesh Khanna achieved super-stardom with Shakti Samantha's 'Aradhana" (1969).He became the craze of the nation, and critics across India started calling him the First Superstar of both Indian Cinema (No. 1 Actor) and Hindi Films and remained so alone as the Superstar for 7 years (1969-1976) and had to share the status with Amitabh from 1977-1991 till he left films to join politics in 1991.He overtook his predecessors Dev-Dilip-Raj, Shammi Kapoor,Rajendra Kumar in terms of extreme popularity with audience and critics, quality of performances, variety of roles and films by doing quickly 47 films from 1966-75 which included 36 Golden Jubilee Hits(21 of the 36 were platinum) and 4 silver silver jubilee hits and only 7 flops in 9 years. He also made the world record of having 17 successive super-hits in 3 years from 1969-71 which included 15 consecutive solo super-hit films and 2 two hero films namely Andaz and Maryada. The main difference between him and his predecessors,successors, contemporaries was that Khanna's films ran successfully in whole of India and not just Hindi speaking areas and he did films of every genre simultaneously and has more critically acclaimed films to his credit than all other Hindi Actors of every generation. He stands out even by selection of his films as he regularly did both offbeat alternate cinema along with commercial potboiler films and had success in both.He introduced intelligent cinema to the masses with ease. Those 15 consecutive hit solo lead hero films from 1969-71 were Aradhana, Doli, Bandhan, Ittefaq, Do Raaste, Khamoshi, Safar, The Train, Kati Patang, Sachaa Jhutha, Aan Milo Sajna, Mehboob Ki Mehendi, Choti Bahu, Anand and Haathi Mere Saathi. His next release Maalik flopped ending thereby the record.
Anju Mahendru was his girl friend in 1968-1972, the then aspiring actress but they had breakup in 1972 when Anju was not ready for marriage while Khanna wanted to marry her, and Khanna married his fan Dimple Kapadia in March 1973, 8 months before Dimple's debut film Bobby released in theaters.
Khanna's pairing with Mumtaz always produced much success as they had all of their 8 films together as major platinum jubilee hits.His films with Sharmila Tagore, Asha Parekh, Tanuja, Hema Malini and Zeenat Aman was a favorite with audiences too in 70's.
From 1976 on-wards till 1978, he had 5 box office hits as lead hero(2 silver jubilee hits, 2 platinum hits, 1 average hit), 3 hits in guest appearances, 1 flop in guest appearance and 8 films of him as the main lead flopped unexpectedly although his performances and the film's music were praised by critics and thereby 76-78 is considered his bad phase.
K.Balaji wanted to establish himself in Hindi film industry as a producer and thereby wanted to remake his Tamil film Sivaji Ganeshan starer Dheepam in Hindi. At a time when Khanna's films were not working at the box office, Khanna got this film out of the blue and went on to become a big hit. Khanna bounced back with twin success of Amardeep and Prem Bandhan then again started giving many critically acclaimed and commercially successful films including 35 Golden Jubilee Hits(includes 25 platinum) and 14 SJH starting from 1979 till 1991 and had 9 average hits from 1976-1996. In the 80's his films opposite Tina Munim, Hema Malini, Reena Roy, Rekha, Shabana Azmi, Smita Patil and Poonam Dhillon were big hits.
He produced three films and co-produced 4 films. He had total 105 box office hits(91 as lead hero and 14 in guest appearance) from 1966-1991.He left film industry in 1991 and entered politics by joining the Congress Party in 1991 and became a member of parliament. Khanna was awarded Filmfare Special award in 1991 for having starred in 101 films as the solo lead hero(92 solo film released till 1992 and includes 7 unreleased solos and Anuraag) and having done just 21 two hero films(only 19 released till 1991) but having appeared in 153 films in short span of 25 years between 1966-1991. Has won most number of All India Critics Award for Best Actor for a record 7 times and was nominated for same 10 times.He holds record for being the actor to win maximum BJFA awards for Best Actor - 4 and was nominated the most for it - 25 times.He is still adored and fondly remembered by the masses. Songs from his films adorn the lips of youth and adolescents. He was the first mega-star and has left behind a storehouse of the finest moments in film history.- Michael Bates was born on 4 December 1920 in Jhansi, United Provinces of Agra and Oudh, British India. He was an actor, known for A Clockwork Orange (1971), Frenzy (1972) and Patton (1970). He was married to Margaret M. J. Chisholm. He died on 11 January 1978 in Chelsea, London, England, UK.
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He married the actress Padma Lakshmi, the hostess of "Padma's Passport," and dedicatee of his eighth novel, "Fury" (2001), on 17th April 2004. The late Ayatollah Khomeini declared a fatwa against him for the novel "The Satanic Verses" on 14th February 1989. He is currently completing a ninth novel. Prior to becoming a full time novelist, he enjoyed a successful advertising career as a copywriter with Ayer Barker in London until 1982.- Prolific character actress born in Secunderabad, British India. A RADA graduate of 1954, Ann Firbank (sometimes credited as 'Annie') made her acting debut at Her Majesty's Theatre in Carlisle that same year. She has performed in numerous classic plays on most of England's great stages, including the Royal Court Theatre, the National Theatre under the direction of Laurence Olivier, the London Old Vic, the Royal Shakespeare Theatre in Stratford-upon-Avon and the Royal Exchange Theatre in Manchester. As late as 2012, she was lauded for her ageless stage presence in a production of The Golden Dragon in Bangalore, India.
On the screen, Firbank is best known as Staff Nurse Helen Lloyd in the classic farce Carry on Nurse (1959) and for her starring role as Anne Elliot in Granada TV's 1971 adaptation of Jane Austen's novel Persuasion (1971). She has made a number of notable appearances in other period dramas, including as Amy Robsart, the wife of Robert Dudley, 1st Earl of Leicester, in Kenilworth (1957); as Mary Quartermaine, whose affections two lovers compete for in an archery contest, in The Adventures of Robin Hood (1955); Danish-born Princess/Queen Alexandra in Lillie (1978); the Comtess de Tournay, a refugee from Robespierre's reign of terror, in The Scarlet Pimpernel (1982); as the wife of the callous, intolerant Major Callendar in A Passage to India (1984) and as Lady Anne Boleyn, the maternal great-great grandmother of Elizabeth I (2005) (superbly played by Helen Mirren). More recently, she has portrayed a Tatooine elder in Star Wars: Episode IX - The Rise of Skywalker (2019) and the elven oracle Ithlinne in The Witcher (2019). She has acted in dozens of TV shows as a guest star, frequently in crime/mystery programs like Danger Man (1960), Maigret (1959), Poirot (1989), Midsomer Murders (1997) and New Tricks (2003). Firbank has also been acclaimed for her 2014 performance as Rebecca Nurse, a woman falsely accused and executed at the Salem Witch Trials of 1692, in Arthur Miller 's The Crucible (2014) at the Old Vic. - Associated with gritty, flashy film villainy, veteran character actor Torin Herbert Erskine Thatcher was born in Bombay, India to British parents on January 15, 1905. The son of a police officer (who died when Torin was 10) and a voice/piano teacher, he was educated in England at the Bedford School and the Royal Academy of Dramatic Art.
A former schoolteacher, he appeared on the London stage, notably the Old Vic, in 1927 before entering British films in 1934. He would be notable for his stage prowess in the works of Shaw, Shakespeare, and the Greek tragedies. Among his earlier stage plays was a 1937 version of "Hamlet" which starred Laurence Olivier and Vivien Leigh. During World War II he served with the Royal Artillery and achieved the rank of lieutenant colonel. He was an extremely imposing, powerfully built specimen and it offered him a number of tough, commanding, often sinister roles over the years primarily in larger-than-life action sequences.
Thatcher began in minor roles and progressed to better ones in a number of classic British films in the late 1930s and 1940s as the years went on. They included Sabotage (1936), Dark Journey (1937), Night Train to Munich (1940), Major Barbara (1941), I See a Dark Stranger (1946), The Captive Heart (1946), Great Expectations (1946), as Bentley ("The Spider") Drummle, Jassy (1947) and The Fallen Idol (1948).
In Hollywood from the 1950s on, the actor's looming figure and baleful countenance were constantly in demand, gnashing his teeth in a slew of popular costumers such as The Crimson Pirate (1952), Blackbeard, the Pirate (1952) as reformed pirate Sir Henry Morgan, The Robe (1953), Helen of Troy (1956) as Ulysses, The 7th Voyage of Sinbad (1958) as the evil, shaven-domed magician Sokurah who shrinks the princess to miniature size, Witness for the Prosecution (1957) as the prosecuting attorney, The Miracle (1959) as the Duke of Wellington, the Marlon Brando/Trevor Howard remake of Mutiny on the Bounty (1962), and Hawaii (1966).
Thatcher returned to the stage quite frequently, notably on Broadway, in such esteemed productions as "Edward, My Son" (1948), "That Lady" (1949) and "Billy Budd" (1951). In 1959 he portrayed Captain Keller in the award-winning play "The Miracle Worker" with Anne Bancroft and Patty Duke.
Also a steady fixture on American TV from the mid-1950's on, Torin appeared in a number of quality TV anthologies ("Omnibus," "Playhouse 90, "Zane Grey Theatre") before making fairly steady guest appearances on such shows as "The Millionaire," "Ellery Queen," "Peter Gunn," "Wagon Train," "Bonanza," "Perry Mason," "The Real McCoys," "The Untouchables," "My THree Sons," "Voyage to the Bottom of the Sea," "Perry Mason," "Get Smart," "Lost in Space," "Star Trek," "Gunsmoke," "Daniel Boone," "Mission: Impossible," "Night Gallery," "Search" and "Petrocelli." He also showed up in support in the TV movies The Strange Case of Dr. Jekyll and Mr. Hyde (1968) starring Jack Palance and Brenda Starr (1976), his final on-camera appearance, starring Jill St. John.
Diagnosed with cancer, Thatcher died on March 4, 1981, in Thousand Oaks, California (near Los Angeles). The widower of TV actress Rita Daniel, he was long married to second wife, Anne Le Borgne, at the time of his death. - Actress
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Angela Thorne was born on 25 January 1939 in Karachi, Sindh, British India. She was an actress, known for To the Manor Born (1979), Mystery and Imagination (1966) and The BFG (1989). She was married to Peter Penry-Jones. She died on 16 June 2023 in Battersea, London, England, UK.- Actor
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Dharmendra is one of the biggest stars of Indian cinema. Dharmendra Deol played the romantic hero in woman Cedric films from 1960-1968 and became romantic hero from 1968-69 and played the role of action hero from 1971-1997. Dharmendra has appeared in 306 films.
He is known as 'Garam' Dharam in Bollywood. Had the looks of a real gentle man, masculine body of a he-man and when it came to his films, he had a very humorous touch in his dialog-delivery and the timing.
Dharmendra's original name is Dharam Singh Deol. He was born in a Jat Sikh family in Phagwara in Kapurthala district in the Indian state of Punjab to Kewal Kishan Singh Deol and Satwant Kaur. He spent his early life in village Sahnewal and studied at Government Senior Secondary School at Lalton Kalan, Ludhiana. He did his intermediate from Ramgarhia College, Phagwara in 1952.
The heroics in his films - Phool Aur Patthar (1966), Jugnu (1973), Raja Jani (1972) and Loafer (1973) - are all quite remarkable and unforgettable. He got nominated for Filmfare best actor 4 times in his career though he couldn't get one but got "The Life Time Achievement" award in 1997 from Filmfare for his achievements, splendid performance during his times and wonderful career in Bollywood. Dharmendra was fond of movies from a young age. He participated in the Filmfare new talent contest, which he won and came to Mumbai from Punjab looking for work. He made his debut with Arjun Hingorani's Dil Bhi Tera Hum Bhi Tere (1960). After which he got supporting roles in the film Boy Friend (1961) and was cast as the romantic interest in several woman oriented films from 1960-1967, where the story revolved around the heroine's character and, he was usually cast as a romantic hero opposite senior established leading actress of the time and later, from 1974 on-wards, as an action hero. His major breakthrough was playing supporting role to hero Rajendra Kumar in Aaye Milan Ki Bela, where his character was negative and supporting role in patriotic film Haqeeqat (1964) and playing romantic interest in woman oriented films from 1960-1967 and playing supporting roles to Balraj Sahni, Ashok Kumar, Biswajit in some films from 1960-67 like Soorat Aur Seerat, Bandini, Mamta, Ghar Ka Chirag.His sensitive side was explored by Hrishikesh Mukherjee in Anupama (1966) and Satyakam (1969), the latter is considered one of the best performances of his career. He got solo hero stardom with the blockbuster, Phool Aur Patthar (1966), which was his first action film but he became established action hero from 1971 film Mera Gaon Mera Desh. He projected himself as romantic hero with films like Pyar Hi Pyar, Aaya Sawan Jhoom Ke, Mere Humdum Mere Dost and Aaye Din Bahar Ke. He cemented his image as action hero with successful films like Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Kahani Kismat Ki and Yaadon Ki Baarat (1973). Dharmendra formed a popular onscreen pair with Hema Malini who later became his second wife. Hema Malini was the biggest female star of 1970s and they went on to star in hits such as Tum Haseen Mein Jawan, Sharafat (1970), Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Pratiggya (1975), Sholay (1975), Charas (1976), Azaad(1977), Dillagi (1978), among many others. Dharmendra proved his versatility and comic timing through Pratiggya, Chupke Chupke and Sholay. In Ramesh Sippy's Sholay (1975) he shared screen space with Amitabh Bachchan, Sanjeev Kumar and Amjad Khan and is still remembered for his inimitable portrayal of Veeru. His best romantic pairing was with the actress Asha Parekh with whom he had 5 hits - Shikhar, Aaya Sawan Jhoom Ke, Aaye Din Bahar Ke, Samadhi and Mera Gaon Mera Desh. His next best pairing was with Hema Malini, with whom he did 35 films of them 31 had them as a leading romantic pair and Dharam Hema had 20 hits and 15 flops. Dharm Hema married in 1980 and Dharm-Hema have 2 children together, Esha and Ahana and he has two sons, Sunny Deol and Bobby Deol from previous marriage with Prakash Kaur.
Often in 1960's till 1971 he played the romantic lead opposite female leading ladies in woman oriented films where the female protagonist's role overshadowed his roles with Dharam playing only supporting role in these films opposite Meena Kumari, Nutan, Mala Sinha, Sharmila Tagore. Phool Aur Paththar was the turning point in his career and established him as an action hero and as a solo lead hero.Artistically and popularity wise his peak period was the 1971-1979 where he did multi star as well as solo hero films in action and comedy genres and when his performances was appreciated by critics as well as audiences. Critics panned every film he did from 1985-2002 with exception being critically acclaimed films Burning Train, Ali Baba Aur 40 Chor, Jhutha Sach, Dharm Aur Qanoon, Rajput and Ghulami. He was the 2nd highest paid actor along with Vinod Khanna in Hindi films from 1976-1982 and Dharam alone was 3rd highest paid Hindi actor from 1987-1993 of A grade Hindi Films.
In the early 70s, Dharmendra became the first Indian actor to be voted among the most handsome men in the world. Through the 70s and 80s, Dharmendra worked with some of the biggest names in B'town such as Bimal Roy, Yash Chopra, Raj Khosla, Ramesh Sippy, Rajkumar Santoshi, Hrishikesh Mukherjee and Basu Chatterji. In 1983, Dharmendra diversified into production and launched his elder son Sunny in 'Betaab', which was produced by his banner Vijayta Films and was a huge hit. in 1990, he produced Ghayal starring Sunny Deol in lead. The film was the second biggest hit of the year and won 7 Filmfare Awards including Best Film award and the coveted National Film Award for Best Popular Film Providing Wholesome Entertainment. He would later go on to launch the successful careers of his younger son Bobby in 'Barsaat'(1995) and nephew Abhay Deol in 'Socha Na Tha'(2005) under the banner. He has also periodically made films in his native tongue of Punjabi, starring in Kankan De Ole (Special Appearance) (1970 ), Do Sher (1974), Dukh Bhanjan Tera Naam (1974), Teri Meri Ik Jindri (1975), Putt Jattan De (1982) and Qurbani Jatt Di (1990).
His commercial hits from 1981 included Ram Balram, Professor Pyarelal, Kaatilon Ke Katil, Naukar Biwi Ka, Jaani Dost, Samraat, Bhaghavat, Raaj Tilak, Jaagir, Qayamat, Insaaf Kaun Karega, Insaniyat Ke Dushman, Loha, Sone Pe Suhaga, Mardo Wali Baat, Khatron Ke Khiladi, Nafrat Ki Anandi, Batwara and Elaan E Jung. His film Hukumat in 1987 was highest grossing film of that year. He continued to be strong in 1990s as the best action hero even stronger than Sunny Deol, Sanjay Dutt and Jackie Shroff. His commercial hits in 1990s included Veeru Dada, Naka Bandi, Farishtay, Tehalka, Kshatriya, Maidan E Jung and Dharma Karma.
The low brow action films directed by likes of Kanti Shah damaged his action career in late 90s. Dharmendra was nominated 4 times for Best Actor Award at Filmfare Awards but never won. He was honored with Lifetime Achievement Award by Filmfare in 1997. He made a comeback to A grade films with a role in Pyar Kiya Toh Darna Kya (1998). He joined politics and was elected as a Member of the Parliament in the 2004 general elections, from Bikaner in Rajasthan, on a Bharatiya Janata Party ticket. He returned to acting in 2007 with films Life in a... Metro and Apne were acclaimed and successful. In the latter, he appears with both his sons, Sunny and Bobby for the first time. His other release was Johnny Gaddaar, where he played a villainous role. In 2011, he starred alongside his sons again in Yamla Pagla Deewana released on 14 January 2011 and was a success. A sequel Yamla Pagla Deewana 2 was released in 2013. His also acted with his daughter Esha in his wife Hema Malini's directorial venture Tell Me O Khuda in 2011. In 2011, Dharmendra replaced Sajid Khan as the male judge of the third series of popular reality show India's Got Talent. Dharmendra's first marriage was to Prakash Kaur at the age of 19 in 1954. From his first marriage, he has two sons, Sunny Deol and Bobby Deol both successful actors, and two daughters, Vijayta Deol Gill and Ajeeta Deol. He has 4 grand sons named Karan, Rajvir, Aryaman, and Dharam. Dharmendra fell in love with Hema Malini during the filming of Sholay. She eventually married him in 1980. As the Hindu Marriage Act forbade polygamy, he converted to Islam in 1979 to avoid protests and give legitimacy to his second marriage. The couple has two daughters, Esha Deol and Ahana Deol. Esha is an actress and Ahana is a dancer. Dharmendra has received several honors for his contribution to cinema and was awarded India's third highest civilian honor Padma Bhushan by the Government of India in 2012.- Actor
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Victor Banerjee Early life Banerjee was born to a Zamindari Bangali Hindu family and is a descendant of The Raja Bahadur of Chanchal and the Raja of Uttarpara. He received his schooling at St. Edmund's School, Shillong, and graduated in English Literature from St. Xavier's College, Calcutta and did Post Graduate studies in Comparative Literature at Jadavpur University. He turned down a scholarship to the Trinity College in Dublin who had offered,through the Irish Christian Brothers, to admit him as an Operatic Tenor. He was the lead tenor in the the "Calcutta Light Opera Group" production of the "Desert Song" and even played "Jesus" in Bombay Theatre's first ever musical production, "Godspell". Career Victor Banerjee (born 15 October 1946) is an Indian actor who appears in Hindi, Bengali and English language films. He has worked for prominent directors such as Roman Polanski, James Ivory, Sir David Lean, Jerry London, Ronald Neame, Mrinal Sen, Shyam Benegal, Satyajit Ray and Ram Gopal Varma. In 1984, he acted as Dr. Aziz Ahmed in David Lean's film A Passage to India, bringing him to the attention of Western audiences. Victor was nominated for BAFTA award for this role in 1986. He won two other awards for this role: Evening Standard British Film Award and NBR Award (National Board of Review, USA). In April 1985, at a special event in Louisiana, where John Travolta and Loretta Swit were also honoured, Banerjee was given the "SHOWARAMA AWARD" by the Motion Pictures Association of America as "New International Star". He acted in Merchant Ivory Productions Hullabaloo Over Georgie and Bonnie's Pictures, Satyajit Ray's Shatranj Ke Khilari and Ghare Baire and in Mrinal Sen's Mahaprithivi. Though in recent years he has been involved with Bollywood, he is affiliated with the Bengali film industry. He also plays 'character actor' roles from time to time in the British cinema. He was also cast in the critically acclaimed role of "Jesus" in the 1988 production of the York Mystery Plays, by director Steven Pimlott. He is the only person in India who has won the "National Award" in three separate categories. As a Cinematographer for his documentary called "Where No Journeys End" which, in competition with 3100 entries from 27 countries, also won the "Gold Award" at the Houston International Film Festival. He won an award for Direction with the best documentary on Tourism called "The Splendour of Garhwal and Roopkund" and he won the "Best Supporting Actor" award for his work in Satyajit Ray's "Ghare Bairey".
Life When not in Calcutta, he is to be found in the hill station of Landour in the Lower Western Himalaya in northern India. He has written short stories and is a regular contributor of articles to magazines, periodicals and newspapers in India, on diverse and eclectic topics. His nonchalance to be politically incorrect and write with a bold and satirical pen, has been respected and admired widely. He has involved himself from time to time in human rights and labor issues. He helped form the Screen Extras Union of India and campaigned for the rights of Garhwali farmers. He also campaigned for the creation of Uttarakhand in a speech entitled "Uttarakhand: A People Denied" and has been credited with starting the movement that eventually led to the creation of the Uttarakhand Solidarity Network. For almost forty years, he has run a Blind School in Upper Assam, called the "Moran Blind School", where over seventy boys and girls from the families of tea garden workers and the poorest of villagers,receive free board and lodging and an education till they leave for junior college. He is the "Brand Ambassador" for the Srimanto Shankardev Movement, that is reviving the culture of neo-Vaishnavites that was first introduced in the 15th Century, in Assam. He is the "Brand Ambassador" for the "Dimasa Tribe" of the Cachar Hills of Northeast India, one of the most cultured peoples of the northeast tracts, one the earliest Sino-Tibetan tribes to inhabit the eastern Himalaya. He is the Brand Ambassador of the "Bird Watchers Association of Uttarakhand". He has for several years been the "Goodwill Ambassador" for "MENTAID" an organization that cares for the mentally challenged in Calcutta.- Actor
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A veritable everyman of stage and screen, both big and small, but relatively unfamiliar to American audiences, Michael Craig is of Scots heritage, born in India to a father on military assignment. When he was three, the family returned to England, but by his eleventh year, they moved on to Canada - where he undoubtedly acquired his North American accent. He left school for the Merchant Navy at 16, but finally returned to England and the lure of the theater. By 1947, he debuted on stage and, in 1953, Sir Peter Hall gave him his first lead stage role. In the meantime, he was trying his hand at extra work and had speaking roles by 1954. This eventually led to discovery by Rank Films and a list of lead movie roles into the early 1960s. When his 7-year contract with that company expired, he was optioned by Columbia Pictures and his Hollywood career commenced. Yet his American work is perhaps only modestly remembered in two films, ironically co-American productions with the UK, Mysterious Island (1961), and Australia, the Disney TV installment, Ride a Wild Pony (1975).
By the mid-1970s, Craig's TV and film work was heavily concentrated in Australia (where he still resides) and composed a depth or roles, both comedic and dramatic, that has included memorable and solid character pieces as he has matured in age. As a screen writer, he has written for and created several British TV series. And he has never been far from the stage, remaining a familiar face in both London and New York theater.- Anna Kashfi has appeared in a number of films including The Mountain (1956) (with Spencer Tracy) and Battle Hymn (1957) (with Rock Hudson) but is best known for being Marlon Brando's first wife. Kashfi is often thought of as being Indian but several newspapers have said that she is, in fact, the daughter of a Welsh factory worker, William Callaghan, and simply reinvented herself to increase her screen appeal. In her 1979 memoir, Kashfi still held onto the claim that she is Indian by insisting that she is the product of an "unregistered alliance" between Selma Ghose and an Indian architect named Devi Kashfi, and that William Callaghan is her stepfather. She met Brando in 1955 in the Paramount commissary and after an on-off relationship (mainly due to Brando's relentless womanizing) married him in 1957. (Brando claimed that he married her only because she had become pregnant.) She gave birth in May 1958 to their son, Christian, who became notorious in 1990 for shooting dead Dag Drollet, a crime that earned him a ten-year jail sentence. Kashfi divorced Brando in 1959. She remarried a Los Angeles businessman named James Hannaford in 1974, but he died in 1987. She also outlived her first husband Marlon Brando (who died in 2004) and their son Christian (who died in 2008). She died on August 16, 2015 of natural causes at the age of 80 in Washington State, USA.
- Harihar Jariwala a.k.a. Sanjeev Kumar was born in a Gujrati family in 1938. He portrayed many roles irrespective of the age or the type of chararcter. The actor ballooned in size in later years of his life due to the gastronomical pleasures he had inherited by sleeping in a kitchen while he was a child (which became the cause of his death in 1985 when he died of a heart ailment). Interestingly the actor was one of the very few who didn't have any competition within the industry. Sanjeev's notable performances were in films like Sholay, Parichay, Aandhi, Angoor and the Satyajit Ray masterpiece Shatranj Kay Khiladi.
- Shelly Desai was born on 3 December 1935 in Bombay, Bombay Presidency, British India. He is an actor, known for Escape from L.A. (1996), Here Comes the Boom (2012) and Paul Blart: Mall Cop 2 (2015).
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Sabu Dastagir (or Selar Shaik Sabu, depending on your resource) was born on January 27, 1924, in the little town of Mysore, India, which is nestled in the jungles of Karapur. The son of an elephant driver (mahout) in service for the Maharajah of his town, the young stable boy learned responsibility early in life when, at age 9, his father died and Sabu immediately became the ward of the royal elephant stables. As with many Hollywood success stories, good timing, and dumb luck allowed the impoverished youth a chance for a better life. By sheer chance the timid 12-year-old orphan was discovered by a British location crew while searching for a youth to play the title role (an elephant driver!) in their upcoming feature Elephant Boy (1937). Quite taken aback by his earnest looks, engaging naturalness and adaptability to wild animals and their natural habitat, the studio handed the boy a film career on a sterling silver platter and was placed under exclusive contract by the mogul Alexander Korda himself.
Sabu and his older brother (as guardian) were whisked away to England to complete the picture and became subsequent wards of the British government. They were given excellent schooling in the process and Sabu quickly learned the English language in preparation for his upcoming films. Elephant Boy (1937) was an unqualified hit and the young actor was promptly placed front and center once again in the film The Drum (1938) surrounded by an impressive British cast that included Raymond Massey and Valerie Hobson. With the parallel success of the Tarzan jungle movies in America, Hollywood starting taking a keen look at this refreshingly new boy talent when he first arrived in the U.S. for a publicity tour of the film. Again, his second film was given rave reviews, proving that Sabu would not be just a one-hit wonder.
His third film for Korda is considered one of the great true classics. In the Arabian fantasy-adventure The Thief of Bagdad (1940), Sabu plays Abu the Thief and is not only surrounded by superb actors -- notably June Duprez, John Justin, Rex Ingram (as the genie) and Conrad Veidt (as the evil Grand Vizier) -- but exceptional writing and incredible special effects. Sabu's name began stirring international ears. His last pairing with Korda was the excellent adaptation of Rudyard Kipling's classic book The Jungle Book (1942) playing Mowgli, the boy raised by wolves, who must adapt to the ways of mankind after being returned to his mother. The movie was directed by Alexander's brother Zoltan Korda.
Following this triumph, Sabu officially became the exotic commodity of Universal Pictures and he settled in America. Although initially rewarding monetarily, it proved to be undoing. Unfortunately (and too often typical), a haphazard assembly-line of empty-minded features were developed that hardly compared to the quality pictures in England under Korda. Saddled alongside the unexceptional Maria Montez and Jon Hall, his vehicles Arabian Nights (1942), White Savage (1943) and Cobra Woman (1944) were, for the most part, drivel but certainly did fit the bill as colorful, mindless entertainment.
Almost 20 years old by the time he became a citizen of the U.S. in 1944, he enlisted in the Army Air Force and earned WWII distinction in combat missions (Distinguished Flying Cross, Air Medal, among others) as a tail gunner. By the time Sabu returned to Universal and filming, the charm of his youth had worn off and the boyish stereotype impossible to escape.
Post-war audiences developed new tastes, but Sabu had no choice but to trudge on with retreads of his former glory. Films such as Tangier (1946) again opposite Ms. Montez, Man-Eater of Kumaon (1948) and Song of India (1949) opposite lovely princess Gail Russell did little to advance his career. While filming the last-mentioned movie, Sabu met and married actress Marilyn Cooper who temporarily filled in for an ailing Ms. Russell on the set. The couple went on to have two children.
Sabu actually fared better back in England during the late 40s, starring in the crime drama The End of the River (1947) and appearing fourth-billed as a native general in the exquisitely photographed Black Narcissus (1947). Daring in subject matter, the film had Deborah Kerr heading up a group of Anglican nuns who battle crude traditions, unexpected passions and stark raving madness while setting up a Himalayan order. By the mid-50s Sabu's career was rapidly approaching extinction, seeking work wherever he could find it - in low-budget Europe productions, public appearances, etc. An attempt to conjure up a TV series for himself failed. His life was further aggravated by unpleasant civil and paternity suits brought about against him. His last two pictures were supporting roles in Rampage (1963), which starred Robert Mitchum, and A Tiger Walks (1964), a thoroughly routine Disney picture which was released posthumously.
Sabu died unexpectedly at age 39 of a heart attack on December 2, 1963, at his home in Southern California and was buried at Forest Lawn Cemetery in the Hollywood Hills. Son Paul Sabu developed into an accomplished songwriter and even formed a rock band called Sabu; daughter Jasmine Sabu, who died in 2001, was a noted horse trainer whose skill was utilized occasionally for films. Although he went the way of too many of our former stars, Sabu continues to enchant and excite newer generations with his unmatched athletic skills and magnetic charm in those early adventure fantasies of yesteryear.- Blonde Janine Gray was born Janine Catherine Glass in Bombay, India, the daughter of an oil company engineer. Her family moved back to England when she was five. By the age of 13, Janine took drama classes and did her first screen acting gigs in TV commercials three years later. She spent several more years honing her skills in repertory theatre in Worthing and Nottingham. In 1959, she had a small guest spot in the crime drama Dial 999 (1958). Subsequently signed by the ITV franchise holder Associated British Rediffusion, Janine enjoyed better supporting roles in some of the popular TV series of the day, especially spy and crime shows like Danger Man (1960), The Saint (1962), The Avengers (1961) and The Man from U.N.C.L.E. (1964). Her sole starring turn on the big screen was in the John Gilling-directed B-grade crime melodrama Panic (1963), which had Janine playing a Swiss miss unwittingly involved in a London diamond heist. Her other featured role of note was as James Mason 's wife in Harold Pinter 's marital soap opera The Pumpkin Eater (1964).
Janine's first marriage in 1962 was to automobile executive and former Olympic long-distance runner Herman Goffberg. Though this union ended in divorce, she remained based in California from 1964 until 1969. During this tenure, Janine made a number of guest appearances in episodes of popular TV shows like Get Smart (1965) (as a nefarious KAOS agent), Bewitched (1964) (as Abigail, personal secretary to Samantha's warlock father Maurice), The Wild Wild West (1965) (Crystal, a murder victim) and Hogan's Heroes (1965) (as Greta, a member of the 'underground').
After her departure from the world of screen acting, Janine established a new permanent home in Cape Town, South Africa, with her second husband, the eye surgeon Dr. Brian Peter Greaves. - Actor
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Spike was born an 'Army Brat', the son of an Irish Captain in the British Raj in India. Educated in a series of Roman Catholic schools in India and at Lewisham Polytechnic in England, he spent his formative years playing the fool and playing the trumpet in local jazz bands.
He joined the British Army himself (under protest if you believe his auto-biogs) as a conscript at the outbreak of WWII. He served in the Royal Artillery as Gunner Milligan through the North African and Italian campaigns. He got a bit too close to an exploding shell and was hospitalised with shell-shock. On his escape from army life he started his "real" work as an author and humourist.
Most famous for 'The Goon Show' with Peter Sellers, Harry Secombe (and originally Michael Bentine), these radio shows are commonly regarded as re-writing the rules of comedy (even before Monty Python). However under the pressure of writing all the scripts he suffered a breakdown and became a clinical manic-depressive.
He was fondly regarded as the last of the great British eccentrics and had written a wealth of comic poetry mainly for children, a few novels and his multi-volume auto-biography. Spike was also a keen (fanatical?) environmental campaigner.- Director
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Michael Radford was born on 24 February 1946 in New Delhi, British India [now India]. He is a director and writer, known for 1984 (1984), The Postman (1994) and The Merchant of Venice (2004). He is married to Emma Tweed. They have two children. He was previously married to Iseult Teran.- Actor
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One of the most beloved, charismatic and accomplished actors as well as one of the most imaginative and pathbreaking directors in the history of Indian cinema, Dev Anand was a leading man for more than five decades in over 110 motion pictures and continues to bestride Indian film fraternity even after his passing. He gave a new dimension to that magical state known as Stardom. And for his exemplary work he was awarded the Padma Bhushan in 2001 by the President of India. From the time he embarked on his career as a Film Actor in the mid-forties till his demise, his movies had been a journey filled with enriching experiences for the 'Evergreen Living Legend' of Indian Cinema. And he had always remained eternally youthful by his remarkable ability to live always in the present and the future; never in the past.
Also, as head of his film production company Navketan International Films, which was founded in 1949, Anand introduced a multitude of talent to the Indian Film Industry by way of actors, directors, music composers and cinematographers. He introduced new talent to cinema and experimented with new ideas for movies. He also headed one of the finest Film Sound Post-Production facilities in India - Anand Recording Studios - which has to its credit more than 3,000 Indian feature films that have been mixed/ surround mixed for worldwide release.
Anand won two Filmfare Awards - India's equivalent of the Oscars - in 1958 for his performance in the film "Kala Paani" (Black Water) and in 1966 for his performance in Navketan International Films' "Guide". "Guide" went on to win Filmfare Awards in five other categories including 'Best Film' and 'Best Director' and was sent as India's entry for the Oscars in the foreign film category that year. He co-produced the English Version of "Guide" with the Nobel Laureate Pearl S. Buck ("The Good Earth"). Eventually, his creative sensibilities got the better of him and he started writing and directing his own movies.
In 1993, he received a Filmfare 'Lifetime Achievement Award' and in 1996 he received a Screen Videocon 'Lifetime Achievement Award'. Then in 1997 he was given the Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry. In 1998, he was given a 'Lifetime Achievement Award' by the Ujala Anandlok Film Awards Committee in Calcutta. In 1999, he received the Sansui 'Lifetime Achievement Award' for his 'Immense Contribution to Indian Cinema' in New Delhi. In the year 2000, he was awarded the Film Goers' 'Mega Movie Maestro of the Millenium' Award in Mumbai. And then in July 2000, in New York City, he was honored by an Award at the hands of the then First Lady of the United States of America - Mrs. Hillary Rodham Clinton - for his 'Outstanding Contribution to Indian Cinema'. And again Anand was awarded the Indo-American Association 'Star of the Millennium' Award in the Silicon Valley, California. The President of India honored Anand with the prestigious Padma Bhushan Award on India's Republic Day - January 26th, 2001. And yet again, Donna Ferrar, Member New York State Assembly, honored him with a New York State Assembly Citation for his 'Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York' on May 1st, 2001.
Most recently, in April 2003, Anand was given a 'Lifetime Achievement Award' by the F.I.F.A. Committee in Johannesburg, South Africa. For an Indian Movie Icon who has hobnobbed with royalty, heads of State and celebrities, he did it all.
Anand passed away on December 3rd, 2011 in London's Washington Hotel, aged 88.
There are some who might remember Anand for not hanging his boots at the right time like his rival Dilip Kumar. But for millions of his admirers, both India and overseas, he shall remain the embodiment of someone who just never learnt to give up and being one of the pivotal figures who shaped the destiny of Indian Cinema in its formative years post independence and with his peerless intellect combined with his killer good looks gave it a footing on the map of world.- Director
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Lindsay was born in Bangalore, India but educated in England at Cheltenham College and Wadham College, Oxford where he was a classical scholar. He then spent 3 years war time service in the Kings Royal Rifle Corps. His career in the theatre started at the Royal Court in the late 1950's where he was responsible for the premiere productions of The Long and the Short and the Tall, Sergeant Musgrave's Dance, Billy Liar and The Bed Before Yesterday. His collaboration with David Storey began with the film This Sporting Life followed by the plays In Celebration, Home, The Changing Room, Early Days and his last, in 1992, Stages He also contributed to the Times, Observer and New Statesman newspapers.- Music Artist
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Engelbert Humperdinck was born on 2 May 1936 in Madras, Madras Presidency, British India [now Chennai, Tamil Nadu, India]. He is a music artist and actor, known for Game Night (2018), You Were Never Really Here (2017) and Beavis and Butt-Head Do America (1996). He was previously married to Patricia Healey.- Actor
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Saeed Jaffrey was born in Maler Kotla, Punjab, India. He was born on the 8th of January 1929. He attended University of Allahabad where he completed his post-graduate degree in history. He also attended the Staff Training Institute of All India Radio. He started his career in drama, as the founder of his own English theatre company called the Unity Theatre, in New Delhi between 1951 and 1956. He also served with All India Radio as Radio Director during this period. He played a wide variety of roles in comedy and drama with equal ease and enthusiasm. His early theatrical work included roles in productions of Tennessee Williams, Fry, Priesty, Wilde, and Shakespeare. In 1956, he finished his studies at the Royal Academy of Dramatic Art in London, a premier school of drama. He went to the United States on a Fulbright scholarship and took a second post-graduate degree in drama from the Catholic University in America. With this experience as his base, he took his company on a tour of the United States doing Shakespearean plays in the year 1957. He was the first Indian Actor to have ever done so. He then became an active member of the Actors' Studio in New York. Here, he was noted for his acting in the play "Nights" and his role as the "Nawab" in Granada Television's adaptation of "The Jewel in the Crown". He married Madhur, actress and cookery writer, with whom he has had three children. He is now divorced from her.
In the 1960s he made numerous stage appearances and participated in a number of tours. He also started his U.S. television career in these years. He was the director of publicity and advertising for the Government of India in their Tourist Office in the U.S. from 1958 to 1960. His performance in the BBC classic _Gangsters (1975) (TV)_, as "Rafiq" earned him countrywide recognition in the United Kingdom. This was even though he had acted in Theatres and appeared on television previously in the U.K. During this period he acted in the off-Broadway play "A Tenth of an Inch Make The Difference" written and directed by Rolf Forsberg, who later cast Saeed Jaffrey and his wife Madhur in the noted short films, "Parable" in 1964, and "Stalked", starring Jack Hawkins, in 1968. Mr. Jaffrey began his feature film career acting in the movie The Guru (1969), and since then has made numerous film appearances along with Hollywood stars such as Sean Connery, Michael Caine, Pierce Brosnan etc. He has, since then, worked with directors of high caliber such as Satyajit Ray, James Ivory, David Lean and Richard Attenborough. He is a member of the Actors' Equity Association, Screen Actors Guild and the American Federation of Television and Radio Artists. He is known over the world for his impeccable English accent, his dapper style and his catch phrase "My dear boy". They form part of an acting persona that audiences have always found enchanting. He uses his smooth charm to good effect whether he is playing the archetypal oily, corrupt businessman or the kindly, knowing, father like figure. He is the first Asian to have received British and Canadian Academy Award nominations for acting, and is the first ever to be awarded the Order of the British Empire for his services to drama.- Actor
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Although he liked to sign his autographs, perhaps jokingly, "Milton Gaylord Reid" his real name was Milton Rutherford Reid and he was born in Bombay on 29 April 1917. His father Edgar William Reid was a Scottish-born Customs and Excise inspector who had married an Indian lady. Milton moved to London in 1936, settling in Shepherd's Bush, and during his early career worked as a commercial traveller.
In 1939 he married fashion artist Bertha Lilian Guyett (a marriage that lasted over 40 years), before war service as a cavalry trooper with the 22nd Dragoons. It was during this period that he first appeared on film, in the army propaganda feature The Way Ahead (1944). After the war he trained as a wrestler, turning professional in 1952, firstly as a Tarzan-like character called Jungle Boy wearing leopard skin trunks. He also continued to play small parts in films, usually as a tough guy or bodyguard, often as a cruel henchman such as the Japanese executioner in The Camp on Blood Island (1958).
His breakthrough came in 1959 when he was required to shave his head for the role of Yen the pirate in Ferry to Hong Kong (1959). He remained shaven-headed for the rest of his career, also changing his wrestling image to that of The Mighty Chang, an oriental giant. On stage he played in pantomime at the London Palladium as the Slave of the Lamp, and in the Italian epics he usually played exotic roles or menacing villains in adventures like The Wonders of Aladdin (1961) (The Wonders of Aladdin) and Spartacus and the Ten Gladiators (1964) (Spartacus and the Ten Gladiators) in which he had a memorable fight to the death with Dan Vadis. However, most people remember Milton Reid as the bodyguard sorting out pretty girls for his boss in a long-running pipe tobacco commercial. In 1964 Milton challenged The Great Togo (a.k.a. Harold Sakata) to a wrestling contest to decide who would play the coveted role of Odd-Job in Goldfinger (1964). Unfortunately, Milton had already been killed off as a henchman in the first Bond movie Dr. No (1962), so the producers were forced to pick Sakata and the "eliminator contest" wasn't needed, although Milton did land the part of Sandor in a later Bond adventure, The Spy Who Loved Me (1977).
Although he became a popular and familiar character actor in dozens of films and television shows, the work did not produce immense wealth and in 1965 Milton found himself in court for non-payment of a £52 car repair bill, incurred when he was in Rome shooting spy movie Desperate Mission (1965). The kindly judge, however, ordered the debt to be repaid at ten shillings (50 pence) per month, even inviting Milton to come back and see him again if he was in any difficulty!
Having retired from wresting and with film parts becoming fewer, Milton decided to try his luck in "Bollywood" and in 1980 returned to India. However, various problems arose and in 1981 he was arrested by Indian police for "trespassing, damaging furniture and disconnecting a telephone." The trouble started when he visited his mother and sister in Bangalore, and there was a dispute with tenants at his sister's bungalow. Police also complained of violence and abuse when they tried to detain him, and there were accusations of a manservant being assaulted.
The following year Milton was stated by some reference works to have died from a heart attack, but that was incorrect. The actor's son (same name) was still receiving correspondence sent by his father from Bangalore up to December 1986. Significantly, nothing was heard after that date, and the present assumption is that Milton Reid died in obscurity somewhere in India during the early part of 1987, although no death certificate or confirmation has been received by the family. Sadly, Bertha died in England in 1997, at the age of 90, still not knowing what had become of her husband. However, research continues.
Special thanks to Milton Reid (junior) for his kind help in the preparation of this biography.- Actor
- Writer
- Director
Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."
Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.
Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.
Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.
The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.
Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.
He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.
Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.
Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.
As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.
He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.
According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.- Director
- Actor
- Producer
Shekhar Kapur was born on 6 December 1945 in Lahore, Punjab, British India [now Pakistan]. He is a director and actor, known for Elizabeth (1998), Bandit Queen (1994) and The Four Feathers (2002). He was previously married to Suchitra Krishnamoorthi.- Actress
- Music Department
Mumtaz was born on July 31, 1947 to Abdul Sameed Askari and Sardar Begum Habib Agha aka Naaz, both of Iranian origin but settled in Bombay, India. Mumtaz first appeared in as child artist in Sanskar (1952),Yasmin (1955),Lajwanti (1958),Sone Ki Chidiya (1958),Stree(1961).Her mother, Naaz, was also an actress in films. When her family faced financial crisis, Mumtaz agreed to act in films as a junior artist and started appearing in group-scenes, at a very young age. She appeared in front of camera in V. Shantaram's Stree and Sehra but she went almost unnoticed.Mumtaz, as an adult her first role was that of the role of sister of the hero in O. P. Ralhan's Gehra Daag. Mumtaz then got the lead role in Pathan being made by Ataullah Khan, Madhubala's father, but the film remained incomplete. In early 1960's there was a union of the artistes playing extras in films in Bombay and every junior artist had to shell a part of their income to this union. From 1958-1964 she was only an extra in Hindi films in films like Vallah Kya Baat Hai.Too young to be cast as leading lady, she started with bit roles only, but was not missed, and gradually graduated to lead roles in low budget B grade movies with Dara Sing as hero.With Dara Sing she had 10 hit films of the 16 they did together from 1964-68. Mumtaz got the roles of supporting actress in A grade hit films like Sehra, Kaajal, Khandaan, Sawan Ki Ghata, Anpad, Hamraaz ,Pyar Kiye Jaa,Pati Patni, Mere Sanam, Suraj, Pathhar Ke Sanam, Ram Aur Shyam and Brahmachari. Then she was signed opposite Rajesh Khanna in Do Raaste in 1969. After release of Aradhana, Rajesh Khanna had become the superstar and his next 2 releases were Do Raate and Bandhan both with Mumtaz as his heroine. After release of these 2 films, Mumtaz became the highest paid Hindi actress from 1970-1976. She was extremely versatile, beautiful, charming, and stole everybody's heart by her captivating looks and inspired performances in each of her film. She quickly out-shadowed and dethroned the established queens in a very short time because of her histrionics. Mumtaz was sensitive, quick to understand and translate every nuance hinted at, onto the screen. Even in her brief roles against established actresses, she was the one who got noticed more and lingered in viewers memories for longer periods. She acted in more than 100 films during a short career span of 14 years, and there is not even a single film in which her performance could not be termed as excellent. In her very first film with significant banner and role, Khilona (1970), she won the most coveted Filmfare award in 1970. She has also been awarded the Lifetime Achievement Award by Filmfare in 1997. She was in the Marilyn Monroe mold; every man's fantasy woman. She outshone everybody because of the simple reason that she was so versatile that every role appeared as if it was written with just Mumtaz in mind. Whether the role was negative or positive, serious or light, she proved her worth. Whether the role was for an urbanite or rustic, majestic or pauper, innocent or vile, gentle or venomous, coy or flaunting, Mumtaz just fitted them like a glove. The public adulation for her is still strong. The response to the continuous spate of screening of her movies on various television channels, even after more than two decades of her self-retirement, proves her tremendous unending popularity due to her incomparable charisma.- Actor
- Music Department
- Producer
Shatrughan Sinha's first acting opportunity was playing a Pakistani military officer in Dev Anand's Prem Pujari. Subsequently, he got a small role as a police inspector in Mohan Sehgal's Sajan in 1969. The release of Prem Pujari was delayed, so his first released film was Sajan. He later appeared in villainous role in Pyar Hi Pyar, Banphool, Manmohan Desai's Rampur Ka Laxman and Bhai Ho Toh Aisa, Sultan Ahmed's Heera and in Vijay Anand's Blackmail. He played supporting roles in many films before appearing in Gulzar's Mere Apne in 1971. He was cast along with his future wife Poonam Sinha then called as Komal in the movie "Sabak" (1973). He played supporting roles in Khilona, Dulal Guha's Dost in 1974, Aa Gale Lag Jaa, Jheel Ke Us Paar and Gambler in 1970. He acted with Amitabh Bachchan in films like Raaste Ka Paththar, Yaar Meri Zindagi, Shaan and Kala Paththar which were flops and later acted in Bombay To Goa, Dostana and Naseeb. His films as the lead hero between 1970 to 1975 were not hits. His first successful film as lead hero was in Kalicharan in 1976. Subhash Ghai had went with story of Kalicharan to NN Sippy and said he wanted to direct his first film. N.N.Sippy got ready to produce after few days, but wanted to cast only Rajesh Khanna in the lead role of Kalicharan. Then only when N.N.Sippy confirmed with Rajesh Khanna that Rajesh did not have dates for the years 1976 and 1977, Sippy asked Subhash Ghai to go ahead with the script and direct Kaalicharan with Shatrughan Sinha in the lead.
Some of his notable films as lead hero were Ab Kya Hoga, Khan Dost, Yaaraon Ka Yaar, Dillagi, Vishwanath, Muqabla, Jaani Dushman. He then became a bankable action hero from early eighties to mid-nineties. He co-starred with Sanjeev Kumar in Bereham, Hathkadi, Bad Aur Badnaam, Chehre Pe Chehra, Hirasat and Qatl. He starred in Hrishikesh Mukherjee's Naram Garam, Brij's Bombay 405 Miles and Taqdeer. He has sung the song Ek Baat Suni Hai Chachaji with singer Sushma Shresta in the film Naram Garam in 1981 composed by R.D.Burman. However when his films as lead hero like Prakash Mehra's Jawalamukhi, Amjad Khan's Chor Police and Ameer Aadmi Garib Aadmi and Raj Khosla's Mera Dost Meraa Dushman became flops despite being appreciated by critics, there was threat to his career as lead hero . He then bounced back by bagging roles in films with lead hero as Rajesh Khanna in films like Dil E Nadan, Aaj Ka M.L.A Ram Avtaar, Maqsad, Paapi Pet Ka Sawal Hai.
His other hit films in the mid-eighties included Jeene Nahi Doonga, Bhawani Junction, Aandhi-Toofan, Ramkali, Ilzaam, Asli Naqli. He then went to star with Jeetendra in Hoshiyar, Khudgarz, Ranbhoomi and Mulzim. He co-starred with Dharmendra in Insaniyat Ke Dushman, Loha (1987), Aag Hi Aag (1987), Hawalaat, Zalzala. His films like Telephone (1985), Sherni (1988), Khoon Bhari Maang (1988), Adharm (1992). He starred with Raajkumar in Betaaj Badshah in 1994 and Salman Khan in Chaand Kaa Tukdaa in 1994. Sinha credited Rajesh Khanna for getting Kaalicharan and for revival of his career as lead hero in the 1980's however their friendship got affected when Shatrughan Sinha stood as the BJP candidate against Rajesh Khanna in 1992 election. Though as a Congress candidate Khanna had defeated Sinha by 25000 margin of votes, Khanna was disappointed at Sinha for standing against him in the elections.
In 2008, he became a judge on The Great Indian Laughter Challenge show, season 4 on STAR One TV. On 3 October 2009, Sinha appeared on Sony Entertainment Television Asia's show Dus Ka Dum season 2 as host for a special episode. He is currently hosting the Bhojpuri version of the popular game show Kaun Banega Crorepati on Mahuaa channel. Shatrughan is the cousin of producer Virendra Sinha. Shatrughan Sinha's children's names are Luv, Kush and Sonakshi.- Kamala Devi was born on 8 October 1933 in Bombay, Bombay Presidency, British India. She was an actress, known for The Brass Bottle (1964), The Man from U.N.C.L.E. (1964) and Branded (1965). She was married to Maurie Beaumont, Wallace Guberman and Chuck Connors. She died on 29 November 2010 in Arlington, Virginia, USA.
- Actress
- Music Department
- Producer
Saira was born into a Urdu-speaking family in India. Her mom's name is Naseem Banu.
She spent much of her childhood in London and was able to debut in 1961 in a Bollywood movie 'Junglee' opposite Shammi Kapoor.
At the age of 22, she got married to Yusuf Khan, alias Bollywood superstar Dilip Kumar.
Saira has a niece, Shaheen, who was once married to Bollywood actor, Sumit Saigal, and the couple have a daughter, Sayesha.- Music Artist
- Composer
- Music Department
Born and brought up in an obscure village near Kambam in Southern Tamil Nadu, Ilayaraja became the first Asian to score a symphony for the London Philharmonic Orchestra, besides scoring over 1000 feature films in a period of 38 years. Raja, as he is popularly known and affectionately called, comes from a family of musicians. His mother, a huge repository of Tamil folk songs, seems to be a very strong influence in his music. He learned to play the harmonium, the typical musical instrument used in street performances. The team of the brothers, the eldest being Pavalar Varadharajan, a poet, worked as a group of musicians traveling across the state, accompanying theater artists. Raja picked up most of his acumen for audience tastes during this period.
In 1969, Raja migrated to the city of Madras, the Southern Movie capital, when he was 25 years old, looking for a break into music making for the public. He studied under Dhanraj Master, playing the guitar and piano in the Western style. Ilayaraja's break into music for films came with Annakili in 1976. The film dealt with a village story, to which Ilayaraja composed great melodies. The songs offered simplicity and musicality typical of Tamil folk in an authentic way, and they offered new sounds--rich orchestration typical of Western music. The songs became an instant hit, the most popular being "Machchana Partheengala" sung by a female voice, S. Janaki. This was followed by a series of films that portrayed contemporary Tamil villages in an authentic way, against stylistic shallow portrayals before. For all of these films Raja created memorable songs. Most popular were the songs "Senthoorappove" and "Aatukkutti Mutaiyittu" from Pathinaru Vayathinile (1977), and "Samakkozhi" and "Oram Po" from Ponnu Oorukku Pudhusu (1979).
Raja soon proved his abilities in other styles as well. classical Karnatic melodies were used in Kannan Oru Kai Kuzhandhai (1978) (Rag Mohanam), Mayile Mayile (Ragam Hamsadhwani), and Chinna Kannan Azhaikiran (Reethi Gowlai). Raja's grasp of Western classical structure became evident with his masterful use of the piano, guitar, and string ensembles. Some of the numbers that show his orchestral genius are "Pon malai Pozhudu" and "Poongadhave" from Nizhalgal (1980), Kanmaniye Kadhal from Aarilirindhu Aruvathu Varai (1979), "Ramanin Mohanam" from Netri Kann (1981), "En Iniya Pon nilave from Moodupani (1980), "Paruvame Pudhiya" from Nenjathai Killathe (1980), and "Edho Moham" from Kozhi Koovuthu (1982). These songs could literally be heard coming from every doorstep in Tamil Nadu state every day for at least a year after being released. Raja composed film music prolifically for the next fifteen years, at a rate of as many as three new songs a day. After a few years as a film composer, he could write all the parts to a score as they came to him, and his assistants would make fair copies, which would be recorded immediately.
Once during a trip to Europe, he visited places where Wolfgang Amadeus Mozart, Johann Sebastian Bach, and Ludwig van Beethoven lived. They were his Manasika Gurus or non-physical teachers, he wrote once. He also met contemporary composers and arrangers including Paul Mauriat. His listeners were awestruck by the quality and quantity of his musical output. He also scored a few films abroad. Ilayaraja's image grew to be a unique one in the history of Tamil cinema: stories, themes, and casts would be changed to fit his music, which swept away the minds of millions of Indians in hundreds of films.
Ilayaraja also recorded non-film albums, such as "How to Name It" and "Nothing But Wind," which were well-received in India and abroad. In 1993, he wrote a symphony for the London Philharmonic Orchestra in an amazing one-month span. To many people who know him, Raja represents more than his music. He is usually referred to by the title Isaignani (English: Musical Genius), or as The Maestro. ilaiyaraaja is a gold medalist in classical guitar from Trinity College of Music, London. He is a mark of great achievement that is possible by hard work, yet he is seen in most of his interviews as talking very philosophically. He is very much attracted by the philosophy of Ramana Maharishi of Thiruvanna Malai, who lived in the early 20th Century. Raja once referred to Ramana as "our Zen master."- Born the son of an Opium Agent in Bengal, Eric Blair was educated in England (Eton 1921). The joined the British Imperial Police in Burma, serving until 1927. He then travelled around England and Europe, doing various odd jobs to support his writing. By 1935 he had adopted the 'pen-name' of 'George Orwell' and had written his first novels. He married in 1936. In 1937, he and his wife fought against the Fascists in the Spanish Civil War. He produced some 3000 pages of essays and newspaper articles as well as several books and programs for the BBC.
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- Director
- Producer
Nasir Husain Khan was born in Bhopal, India. He was the fourth of five children born to Jaffar Husain Khan, a history teacher, and Aamna, a housewife. He grew up a mischievous child in an orthodox family that looked down on films and theatrical works. Nevertheless, Nasir found himself working on skits in the local area, much to the dismay of his family. He was also an avid reader. His father died when he was a teenager, which allowed him to pursue his interest in the arts more freely. He moved to Lucknow where he earned his BA degree. He wrote many short stories and radio plays and occasionally performed in them. He won a first-prize for a short story that he had submitted to a Urdu magazine "Aaj Khal". (He would much later adapt it into the stark drama Baharon Ke Sapne (1967)). He worked as a secretary for a year before moving to Bombay where he met people in the film industry. He told film producer Sasadhar Mukherjee about his writing credentials, who then hired him for his Filmistan studios. He was there for a decade writing films, such as Chandni Raat (1949), Shabnam (1949), Shabistan (1951), Shart (1954). He had a huge hit with history drama Anarkali (1953), but it was comedies Munimji (1955) and Paying Guest (1957) that started bringing him attention. It was on Munimji (1955) that he met an assistant choreographer named Margaret Francina Lewis. They fell in love and married, and she changed her name to Ayesha Khan, and they would have two children: Mansoor Khan and Nuzhat Khan. S. Mukherji gave him a chance to direct a comedy that Husain wrote titled Tumsa Nahin Dekha (1957). The lighthearted musical made a box-office star out of Shammi Kapoor, and cemented Husain's career as a writer and director, when the film became a big hit. The film set the foundation for his future films, that of a happy-go-lucky hero who woos the heroine by singing catchy songs and defeats the villain, and then the hero and heroine live happily ever after. He cast Kapoor again in Dil Deke Dekho (1959), which introduced a former child actress named Asha Parekh as the heroine. The film made a star out of Parekh and she remained Husain's heroine in his next six productions: Jab Pyar Kisise Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966) (Husain wrote and produced, but Vijay Anand directed and edited the film), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971)(Husain brought in his younger brother Tahir Hussain to produce). Most of these films were hits, but the married Husain also started a romantic relationship with Parekh that lasted decades. Neither divorce nor bigamy were options, since it would have wreaked havoc on both their families. They also didn't break up, since their professional association made both of them rich and famous. Asha remained faithful to Husain by never marrying anyone else and called him the "one and only true love" of her life. Knowing that Asha won't be a heroine forever, he got her involved in a film distribution company called "Movie Gems", where they distributed 21 films. He moved onto casting other heroines in Procession of Memories (1973) and Hum Kisise Kum Naheen (1977), and both films were hits, but after the latter film, he and Asha decided to close up Movie Gems. Hussain then directed his first flop Zamaane Ko Dikhana Hai (1981). Undeterred, he directed his next film Manzil Manzil (1984) and brought back Asha for a small cameo in the mother role, but the film still flopped. As did his next film Zabardast (1985), which turned out to be his last directorial venture. He then handed the reins over to his son Mansoor Khan to direct Qayamat Se Qayamat Tak (1988), which starred his nephew Aamir Khan, which became a big hit. Since Nasir wrote the script, he won the Filmfare Best Screenplay Award. He would win the Filmfare Best Movie Award for producing Mansoor's directorial effort Jo Jeeta Wohi Sikandar (1992), which again starred his nephew Aamir Khan. The final film he wrote was Akele Hum Akele Tum (1995). He won a special Filmfare Award for his contribution to Hindi cinema in 1996, and the Zee Cine Lifetime Achievement Award in 2000. His wife died in 2001. Asha Parekh chose not to visit him anymore. She also didn't propose marriage to the widowed Husain, since he had become a shadow of his former self. But she stayed in touch with him by phone. He died of a heart attack on March 13, 2002. A devastated Asha attended his funeral, and she later wrote about their love story in her 2017 memoir "The Hit Girl". Husain's family, including his daughter Nuzhat Khan, grandson Imran Khan, and nephew Aamir Khan attended the book's launch to show support for Asha. Both their families remain close to each other.- Producer
- Director
- Additional Crew
Labeled the eternal romantic and with one of the best musical senses in the business, Yash Chopra is arguably India's most successful director of romantic films. Although he made action-oriented films like the ever-popular Deewaar (1975), it is in tackling love and its various aspects that he has been at his best. One of the few remaining commercial Indian directors who started their careers in the 1950s, he has successfully moved with the times from the socially significant Dhool Ka Phool (1959) to the young and cool Dil To Pagal Hai (1997).
Yash Chopra was born in Lahore in 1932, to an accountant in the PWD division of the British Punjab administration, the youngest of eight children. He began as an assistant director to I.S. Johar before working with his elder brother, the legendary B.R. Chopra; while another brother, Dharam Chopra, worked as his cameraman. He was given his first directorial opportunity with Dhool Ka Phool (1959), a melodrama about illegitimacy; it became a hit and even now remains popular today. Encouraged by this success, the Chopra brothers made a few more movies together, the most notable being Waqt (1965), India's first multi-starrer; and Ittefaq (1969), a thriller. On the personal front, Chopra married Pamela Chopra (née Singh) in 1970, and they had two children, Aditya Chopra and Uday Chopra, both working in the film industry today.
In 1973, the Chopra brothers separated, with Yash Chopra founded his studio, Yash Raj Films, and launched it with Daag: A Poem of Love (1973), a successful melodrama about a polygamous man. He then entered one of his best phases with two Amitabh Bachchan classics: Deewaar (1975) and Kabhi Kabhie (1976). These movies set the standard for the 1970s and 1980s, establishing Bachchan as the greatest and most beloved Indian film star of all time. His respective roles--a bitter criminal and a sensitive, brooding poet--are considered to be his greatest performances, although complete opposites of each other.
In the 1980s, Chopra went through a rough time. Two of his melodramas, Silsila (1981) and Faasle (1985); and two action-oriented films, Mashaal (1984) and Vijay (1988), flopped at the box office, although the latter became a critically acclaimed classic years later. However, he made a comeback with his musical love triangle Chandni (1989). The film was a huge success, with great performances by established heroine Sridevi and action hero Vinod Khanna. Then came what critics and Chopra himself considered his best film, Lamhe (1991), a beautiful film about cross-generational love. It couldn't survive the box office, however, due to its incestuous nature.
Parampara (1993), done for an outside producer, was a misfire, but then came the box-office hit and trend setter Darr (1993). Starring the then-débutant Shah Rukh Khan, it showed a sympathetic look at obsessive love and an emotion often overlooked in love--fear--and its success catapulted Khan to super-stardom. In 1995, Chopra turned to production and Aditya Chopra made his directorial debut with Dilwale Dulhania Le Jayenge (1995), which had the longest-running initial release in cinema history. He directed one more film, Dil To Pagal Hai (1997), a love story set against the theater, which became a huge success and a cult hit, before he retired from directing. However, in 2004, he made a grand comeback with Veer-Zaara (2004), a touching cross-border love story, which he said would be his last directorial effort.
The ages of the director and playback singer Lata Mangeshkar, his muse, proved you need to be young, as well as crazy, at heart, to be a true romantic....- Music Artist
- Music Department
- Actor
Abhas Kumar Ganguly was born in Khandwa, now in Madhya Pradesh. His dad's name was Kunjilal, a lawyer by profession, and his mom's name was Gouri Devi, who came from a wealthy family.
Kishore was the youngest in the Ganguly family, preceded by Ashok Kumar, Sati, & Anoop Kumar (I). Sati was married to Sashadhar Mukherjee, who was the brother of film-maker Subodh Mukherji, and Bollywood actors Joy Mukherjee & Deb Mukherjee. Sati's son, Shomu Mukherjee, went on to marry Tanuja Samarth, and who subsequently gave birth to Kajol and Tanishaa Mukerji. Tanuja is the sister of Nutan, who, in turn, is the mother of actor Mohnish Behl. Tanuja and Nutan are the daughters of the famed Shobhna Samarth. Sati was also aunt-by-marriage to Ram Mukherjee, who would subsequently marry and give birth to Raj Mukherjee and Bollywood actress, Rani Mukerji. Ashok's daughter is noted Bollywood actress, Preeti Ganguli, who is married to comedian and character actor, Deven Verma. Ashok's grand-daughter is actress, Anuradha Patel.
While Ashok went on to become a successful actor, Abhas, who was renamed Kishore, shunned acting, and preferred singing and mimicking K.L. Saigal. His brother, Anoop, while struggling to make a name himself, noticed this, and encouraged Kishore to sing in his own voice.
When Sachin Dev Burman happened to visit Ashok, he heard Kishore singing, and immediately signed him to sing for Bollywood movies. After Sachin's passing away, his son, Rahul Dev Burman took over and openly favored Kishore over other male singers.
He always wanted to be a singer, but acting was thrust upon him, and he did his best to live up to it. A Leo, Kishore was also known for his mad-cap comedy movies, and for his eccentricity as he used to 'talk' to his trees in his home, and had even put up a sign 'Mental Hospital' right outside his residence in Khandwa. He was also parsimonious, so much so that he was in arrears to the Indian Income Tax authorities, yet never missed a chance to make fun of them (Aur Peechey Pad Gaya Income Taxum, Jai Govindam Jai Gopalam).
When he refused to endorse former Indian Prime Minister's 20 point Program during the 1975-1977 Emergency, he was banned from the Government-controlled media namely All India Radio and Vividh Bharati. Even duets with his voice were censored. He was not the only one in Bollywood, as others like I.S. Johar, Dev Anand, Shatrughan Sinha openly condemned Mrs. Gandhi's regime. After the emergency, her political party (Congress) was overwhelmingly ousted by the electorate in favor of the Janata Party.
Kishore made a record by being the only singer to have sung in more than 90 films for a single hero which was for Rajesh Khanna. Kishore sang in 91 films for Rajesh Khanna.His closest friends were Rajesh Khanna, R.D.Burman, S.D.Burman, Mohammad Rafi.He refused to lend his voice to Amitabh Bachchan in period 1982-1987 many times, when the latter refused to do a guest appearance in a Kishore-produced film and this affected Bachchan's career as many of his films flopped post 1983.
His marriages to some of the most popular and attractive Bollywood actresses (Madhubala, Yogeeta Bali,Leena Chandavarkar) not only raised eyebrows, but added to his popularity.Fact was each of these women with exception of Yogita Bali fell in love with Kishore Kumar. Madhubala loved him immensely but had health issues so died. Then in 1976 Yogita claimed to love him and married Kishore, but then Kishore realized she had married him for his money so divorced her. Leena was a widower but Kishore fell in love with her and proposed her and they were happily married till his death.
He introduced his son, Amit Kumar, (sired from his first wife Ruma Ghosh aka Ruma Guha Thakurta) to sing, often along with him, and then amazed his fans by marrying widowed Leena Chandavarkar, who was just two years older than Amit.
He sang 245 songs picturised on Rajesh Khanna across 92 films, which is an unbeaten record for singer-actor combination. Kishore sang 245 songs for Rajesh Khanna, 202 for Jeetendra, 119 for Dev Anand and 131 for Amitabh.
He had recorded the duets "Kaho Kahan Chale" for the film Bulundi, "Pyar Ka Dard Hai" from Dard and "Tum Jo Chale Gaye" from Aas Paas, a few days before his heart attack in 1981. He suffered his first heart attack on 24th January 1981 in Kolkata in the noon hours and within a gap of another four hours, suffered his second heart attack. The first solo song sung by him, after recovery from his two attacks was "Mere Sang Sang Aya" from Rajput (1982) and the duet with Asha - "Mausam Bheega Bheega" from Gehra Zakhm.
In the comedy, Badhti Ka Naam Dadhi (1974) a song 'Karne Chaley Thhey Shaadi Meri, Khud Ban Baithey Dulha', sung by Amit, hilariously chastised his dad for getting married, instead of searching for a bride for his son.
Through Leena he sired another son, Sumeet Kumar. Their marriage was intact until his unexpected passing on October 13, 1987, due to heart failure for the third time.
Kishore has not only been immortalized by his songs, but also by his talents as an Actor, Producer, Director, Script-Writer, & Lyricist. His movies continue to be popular even now on TV, as do his songs on both TV and radio.- Actor
- Director
- Producer
Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.
Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.
Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).
He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.
Dutt's next releases were Jaal (1952) and Baaz (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with Aar-Paar (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.
His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.
Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.
On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.
His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.- Writer
- Producer
- Additional Crew
Richard Gregson was a British film producer and screenwriter.
He spent his early career working in United States, alongside stars such as Gene Hackman, Robert Redford, Julie Christie, Alan Bates and director John Schlesinger. He married the American actress Natalie Wood in 1969. Together they had one child, the actress Natasha Gregson Wagner, born 1970. Gregson was nominated for the Academy Award for Best Original Screenplay at the 33rd Academy Awards for his work on The Angry Silence with his elder brother Michael Craig and Bryan Forbes.
In 2012, he published a memoir titled Behind the Screen Door: Tales from the Hollywood Hills.- Actor
- Writer
- Visual Effects
Manoj Kumar, born Harikrishna Giri Goswami, is an Indian film actor, director, and screenwriter best known for his work in Hindi films.
Born in Abbottabad, a small town in the North-West Frontier Province, British India (now Khyber Pakhtunkhwa, Pakistan), he and his family shifted to Delhi during the Partition.
Kumar made his film debut with Fashion (1957). He then got his break in Kanch Ki Gudiya (1961), where he acted with Sayeeda Khan.
After acting in Reshmi Rumal (1961) and Piya Milan Ki Aas (1961), Kumar was cast opposite Mala Sinha in Vijay Bhatt's Hariyali Aur Rasta (1962).
He continued to rule the roost with films, including Apna Banake Dekho (1962) and Nakli Nawab (1962).
He also acted in social films, including Grahasti (1963) and Apne Huye Paraye (1964).
In 1964, Kumar appeared in Raj Khosla's Woh Kaun Thi? (1964) with Sadhana Shivdasani. He worked alongside Mala Sinha and Vijay Bhatt again in Himalay Ki Godmein (1965).
Kumar and Khosla built upon their joint success with Do Badan (1966), which became a success. In this film, Kumar was cast opposite Asha Parekh.
His thriller, Gumnaam (1965), was another box office hit, and it was one of the highest-grossing movies that year, earning Rs. 2.6 crores. In the same year, Kumar starred in the film Shaheed (1965), which explored the life of the great freedom fighter, Bhagat Singh.
He also played pivotal roles in classics such as Sawan Ki Ghata (1966) and Patthar Ke Sanam (1967).
In 1967, he forayed into film direction with Upkar (1967), where he starred as a farmer and a soldier. This film won multiple awards at the Filmfare Awards 1968, including Best Story, Best Dialogue, Best Director, and Best Film.
Kumar followed up his success with more films such as Aadmi (1968), Purab Aur Pachhim (1970), and Be-Imaan (1972). He also directed and acted in Shor (1972).
Kumar acted in and directed Roti Kapada Aur Makaan (1974) and won the Best Director award at the Filmfare Awards in 1975.
He then went on to appear in more classics, including Sanyasi (1975); Pehchan (1975), wherein he starred opposite Babita Kapoor; and Dus Numbri (1976).
He directed Dilip Kumar, his idol, in the film Kranti (1981), which explored the Indian struggle for Independence.
Post Kranti, Kumar acted in films such as Kalyug Aur Ramayan (1987), Clerk (1989), and Maidan-E-Jung (1995). He also directed Kunal Goswami, his son, in Jai Hind (1999).
Kumar was conferred the title of Padma Shri by the Government of India in 1992. He also received The Filmfare Lifetime Achievement Award in 1999 for his work spanning four decades; the Bharat Gaurav Award in New Jersey, U.S., in 2012; and The Dadasaheb Phalke Award in 2016- Actor
- Director
- Composer
Amjad Khan was a renowned Bollywood actor and film director, widely popular for his performance as Gabbar Singh in Sholay (1975). He went to both R. D. National College and St. Andrew's High School in Bandra.
Khan was the president of the Actors Guild Association and took a keen interest in the matters of the film industry. As a youngster, Khan acted with his father, Jayant, in movies like Nazneen (1951) and Ab Dilli Dur Nahin (1957).
With the film Hindustan Ki Kasam (1973), he first appeared as a professional silver-screen performer. When he played Gabbar Singh in Sholay (1975), he transformed the stereotypical Bollywood bad guy into a new genre icon. Gabbar transformed into him preparing for the role- this has been his most famous role of all time.
In Prakash Mehra's Muqaddar Ka Sikandar (1978), he portrayed the part of Dilawar, a gangster. He was also cast in several other movies, including Shatranj Ke Khilari (1977), Hum Kisise Kum Naheen (1977), Ganga Ki Saugand (1978), Des Pardes (1978), Dada (1979), Chambal Ki Kassam (1980), Naseeb (1981), Satte Pe Satta (1982), and Nastik (1983).
In films like Yaarana (1981) and Laawaris (1981), he portrayed likeable protagonists. In addition to his dramatic roles, he branched out and performed comedic roles in the films Qurbani (1980), Love Story (1981), Chameli Ki Shaadi (1986).
In the Hindi parody film Ramgarh Ke Sholay (1991), helmed by Ajit Dewani, he once again played the part of Gabbar Singh, and the film became an unexpected blockbuster.
He debuted as a director with Chor Police (1983), in which he also co-starred with Parveen Babi, Shatrughan Sinha, Kader Khan, and Shakti Kapoor. His film Ameer Aadmi Ghareeb Aadmi (1985) was released in 1985- it was a great commercial success. He also appeared in a small role in [link= tt0154591 in 1973.
He won the best supporting actor in the BFJA Awards for Sholay in 1976. Apart from that, he won best supporting actor at the Filmfare awards for Dada (1980) and Yaarana (1982). Khan also won best performance in a comedic role at the Filmfare awards for Maa Kasam (1986).